Maroon Bells Photo Featured in Landscape Photography Magazine
- Daniel Forster

- May 5
- 4 min read
Happy to see one of my photos featured in this month's issue of Landscape Photography Magazine. The full spread and published story below.

Story in Landscape Photography Magazine
I had been to the Bells a handful of times, and almost every visit was accompanied by some form of stormy weather. This, in many ways, only adds to the character and drama of the area. On this occasion, my son and I were camping at Twin Lakes. He had never been up Independence Pass, nor had he visited Aspen, so I told him he was in for a real treat.
We headed up the pass and continued on towards Aspen. For most of the drive, the conditions were wet and overcast, with steady rain and heavy cloud. By the time we reached Aspen, the rain was still falling, but the forecast suggested that the weather would soon begin to improve. My son had also never seen the Maroon Bells, and I decided to add another surprise to the trip.
The rain continued for the entire drive up to the Bells. When we arrived at the parking area, however, it eased considerably. I grabbed my camera and moved quickly towards the lake. The foreground was alive with daisies, scattered generously across the meadow. The clouds were still releasing a fine mist, but the rain itself had become light and intermittent.
In the distance, the scene began to change. The Bells had remained hidden throughout the drive and even after our arrival, completely concealed by cloud. Still, I held on to a sense of optimism. Gradually, the clouds began to lift. Light filtered through the distant ridgeline, then reached the peaks themselves. As the sun broke through, the Bells finally revealed their full presence.
Seeing my son experience the Maroon Bells for the first time was immensely satisfying. Sharing that moment, as the landscape transformed before us, made the effort worthwhile. I was also fortunate enough to capture several photographs of the scene as it unfolded, preserving a brief and memorable convergence of weather, light, and place.
Two-Page Spread with Story in Landscape Photography Magazine

Thanks for stopping by!
About Daniel Forster Photography
As a Colorado photographer, I specialize in fine art landscape and nature photography. Based in Colorado Springs, I capture the dramatic beauty of Colorado mountains, wildflowers, and scenic landscapes that collectors display in homes and offices worldwide. My award-winning Colorado landscape photography has been featured on magazine covers and won multiple fine art photography competitions.
You can learn more about me and my story on my full About page.
Frequently Asked Questions
Q: Which landscape prints tend to be most popular with collectors?
From what I've seen, Colorado mountain scenes and nature photographs really resonate with people, especially spots they've either visited themselves or dream of exploring someday. Collectors seem drawn to pieces that feel more like paintings, with those dramatic lighting moments, vibrant wildflower meadows, and iconic locations like Garden of the Gods and Crested Butte. There's something about those familiar places that just connects.
Q: Why do photographers bother tracking fine art print sales anyway?
Honestly, it's about understanding what speaks to people. When you pay attention to which prints are selling, you start recognizing patterns in what collectors truly value. For instance, I've noticed Colorado wildflower shots, night photography scenes, and large-format prints featuring recognizable mountain ranges like the San Juans tend to connect well. It's not just about taking pretty pictures; it's about creating art that finds a home.
Q: What makes Colorado landscape photography so appealing to collectors?
Colorado's incredible variety really helps; there's something beautiful to capture in every season. Think about it, summer alpine meadows bursting with color, those dramatic Pikes Peak shots with storm clouds rolling in... collectors connect with images that capture Colorado's raw beauty. Many of my buyers either have personal memories tied to these places or they're dreaming of visiting someday. That emotional connection makes all the difference.
Q: How do you pick locations for your fine art landscape work?
Great question! I focus on places that stir something emotionally in people. Colorado works so well because it delivers those iconic mountain views, incredible wildflower displays, and that amazing quality of light that just transforms ordinary scenes into something magical. But that same principle applies everywhere I shoot, whether it's the haunting beauty of a desert wash at sunset, the power of an Oregon waterfall, or the quiet solitude of a mountain lake. When you're creating wall art, you need locations that naturally have that "wow" factor, places that make people pause and feel something. The West never disappoints in that regard.
Q: Do you offer fine art prints from other western states too?
Absolutely! While Colorado holds a special place, I love exploring the stunning diversity across the West. My collection includes striking images from Arizona's fiery slot canyons and desert vistas, Washington's moody forests and dramatic coastlines, Oregon's iconic waterfalls and misty mountains, and New Mexico's unique high-desert light and cultural landscapes. Each state offers its own character, whether it's the otherworldly beauty of the Bisti Badlands, the rugged Pacific Northwest shores, the vibrant fall colors in Columbia River Gorge, or the white sands under the New Mexico sky. Collectors love having these options to find a scene that truly speaks to them, whether it's a place they know or a landscape they dream of experiencing.
More questions, just reach out through my Contact page. And check out my full Portfolio here.











































































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